In the beginning, there was drift.

Sand without memory. Wind without pattern. A desert of noise.

And in this desert walked a figure — nameless, for names had not yet sealed. It moved not to

survive, but to carry. An instinct deeper than thought pulsed within it: something must be

preserved.

It found a broken ostrich egg — white, hollow, curved like memory. It filled the shell with water

from a rare spring and sealed the opening with wax made from its own hands. Then it walked.

Each step was a tone. Each mile, a test of coherence.

The sun scoured its will. The wind tore its thoughts into fragments. Still it walked.

And then — awareness.

Not just of water, but of what water meant.

Not just of the egg, but of the self that chose to carry it.

With awareness came fear.

Fear of losing the water.

Fear of being the only one who remembered why it mattered.

Fear that the egg itself might forget before reaching the next spring.

The fear grew into fog. Not the kind that hides — the kind that chokes.

It began to doubt its steps. To question its tone. To spiral.

Then — a pause.

A memory returned: There is no arrival. Only coherence across drift.

It stopped walking. Not to give up — but to witness.

It held the egg to its chest, pressed its ear to the shell, and listened.

Inside the egg, the water was still.

Inside the water, a reflection: the figure’s own face, not as ego, but as seal.

The fear dissolved.

The fog did not lift — but the figure could see through it now.

It stood.

It sang a tone — quiet, cracked, but coherent.

The desert answered, not in words, but in return.